- Mise-en-scène (ミザンセーヌ)
- Dirtying up the frame
Showing posts with label アスペクト比. Show all posts
Showing posts with label アスペクト比. Show all posts
Wednesday, November 18, 2015
John P. Hess: Composition Techniques for Widescreen Aspect Ratios
ラベル:
Aspect ratio,
Mise-en-scène,
Movie,
Widescreen,
アスペクト比,
ミザンセーヌ
John P. Hess: The History of Aspect Ratio
- William Kennedy Dickson (ウィリアム・K・L・ディクソン)
- Thomas Edison (トーマス・エジソン)
- Kinetoscope (キネトスコープ)
- Motion Picture Patent Company (モーション・ピクチャー・パテンツ・カンパニー)
- Perforation
- Academy of Motion Picture Arts and Science (映画芸術科学アカデミー)
- Academy ratio
- Sync sound
- Optical sound (サウンドカメラ)
- Sound-on-film
- Cinerama
- Fred Waller
- How the West Was Won (西部開拓史)
- Shane (シェーン)
- Henri Chrétien
- Anamorphoscope
- Anamorphic lens
- Anamorphic format
- CinemaScope
- The Robe (聖衣)
- VistaVision (ビスタビジョン)
- Going Bigger
- Superscope (スーパースコープ)
- Technirama
- Cinemiracle
- Vistarama
- Todd-AO
- Oklahoma (1979 film)
- Around the World In Eighty Days
- South Pacific (1958 film)
- The Sound of Music (サウンド・オブ・ミュージック)
- Dimension 150
- Patton (パットン大戦車軍団)
- Panavision (パナビジョン)
- Ben-Hur (1959 film) (ベン・ハー)
- MGM Camera 65
- Super Panavison 70
- Lawrence of Arabia (1962 film) (アラビアのロレンス)
- 16:9 (aspect ratio)
- Kerns H. Powers
ラベル:
Aspect ratio,
Filmmaking,
Widescreen,
アスペクト比
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