Showing posts with label Filmmaking. Show all posts
Showing posts with label Filmmaking. Show all posts

Wednesday, November 18, 2015

John P. Hess: The History of Frame Rate for Film




  • Frame rate
  • Phi phenomena
  • Thomas Edison
  • 46 fps
  • Double bladed shutter
  • Triple bladed shutter
  • 16 fps
  • Undercrank
  • Overcrank
  • Sound standerdized frame rates
  • Electronic frame rates
  • Bandwidth
  • Friz Schröter
  • Telefunken
  • Richard Ballard
  • RCA
  • Interlaced
  • Upper field
  • Lower field
  • Intermodulation
  • AC power
  • VHF
  • UHF
  • NTSC
  • Georges Valensi
  • Luminance
  • Chrominance
  • 0.1%
  • PAL
  • SECAM
  • Telecine Juder
  • Reverse Telecine
  • 3:2 pulldown
  • Semitones
  • Pitch shifter
  • Temporal resolution
  • Showscan
  • Douglas Trumbull
  • Digital showscan
  • Hobbit
  • Overlit
  • 4K standards
  • Cadence

John P. Hess: The History of Aspect Ratio



  • William Kennedy Dickson (ウィリアム・K・L・ディクソン)
  • Thomas Edison (トーマス・エジソン)
  • Kinetoscope (キネトスコープ)
  • Motion Picture Patent Company (モーション・ピクチャー・パテンツ・カンパニー)
  • Perforation
  • Academy of Motion Picture Arts and Science (映画芸術科学アカデミー)
  • Academy ratio
  • Sync sound
  • Optical sound (サウンドカメラ)
  • Sound-on-film
  • Cinerama
  • Fred Waller
  • How the West Was Won (西部開拓史)
  • Shane (シェーン)
  • Henri Chrétien
  • Anamorphoscope
  • Anamorphic lens
  • Anamorphic format
  • CinemaScope
  • The Robe (聖衣)
  • VistaVision (ビスタビジョン)
  • Going Bigger
  • Superscope (スーパースコープ)
  • Technirama
  • Cinemiracle
  • Vistarama
  • Todd-AO
  • Oklahoma (1979 film)
  • Around the World In Eighty Days
  • South Pacific (1958 film)
  • The Sound of Music (サウンド・オブ・ミュージック)
  • Dimension 150
  • Patton (パットン大戦車軍団)
  • Panavision (パナビジョン)
  • Ben-Hur (1959 film) (ベン・ハー)
  • MGM Camera 65
  • Super Panavison 70
  • Lawrence of Arabia (1962 film) (アラビアのロレンス)
  • 16:9 (aspect ratio)
  • Kerns H. Powers