John P. Hess: The History of Frame Rate for Film

• Frame rate
• Phi phenomena
• Thomas Edison
• 46 fps
• Double bladed shutter
• Triple bladed shutter
• 16 fps
• Undercrank
• Overcrank
• Sound standerdized frame rates
• Electronic frame rates
• Bandwidth
• Friz Schröter
• Telefunken
• Richard Ballard
• RCA
• Interlaced
• Upper field
• Lower field
• Intermodulation
• AC power
• VHF
• UHF
• NTSC
• Georges Valensi
• Luminance
• Chrominance
• 0.1%
• PAL
• SECAM
• Telecine Juder
• Reverse Telecine
• 3:2 pulldown
• Semitones
• Pitch shifter
• Temporal resolution
• Showscan
• Douglas Trumbull
• Digital showscan
• Hobbit
• Overlit
• 4K standards
• Cadence

John P. Hess: The History of Aspect Ratio

• William Kennedy Dickson (ウィリアム・K・L・ディクソン)
• Thomas Edison (トーマス・エジソン)
• Kinetoscope (キネトスコープ)
• Motion Picture Patent Company (モーション・ピクチャー・パテンツ・カンパニー)
• Perforation
• Academy of Motion Picture Arts and Science (映画芸術科学アカデミー)
• Academy ratio
• Sync sound
• Optical sound (サウンドカメラ)
• Sound-on-film
• Cinerama
• Fred Waller
• How the West Was Won (西部開拓史)
• Shane (シェーン)
• Henri Chrétien
• Anamorphoscope
• Anamorphic lens
• Anamorphic format
• CinemaScope
• The Robe (聖衣)
• VistaVision (ビスタビジョン)
• Going Bigger
• Superscope (スーパースコープ)
• Technirama
• Cinemiracle
• Vistarama
• Todd-AO
• Oklahoma (1979 film)
• Around the World In Eighty Days
• South Pacific (1958 film)
• The Sound of Music (サウンド・オブ・ミュージック)
• Dimension 150
• Patton (パットン大戦車軍団)
• Panavision (パナビジョン)
• Ben-Hur (1959 film) (ベン・ハー)
• MGM Camera 65
• Super Panavison 70
• Lawrence of Arabia (1962 film) (アラビアのロレンス)
• 16:9 (aspect ratio)
• Kerns H. Powers